The MasterClass Series #25

Adding the third dimension

Equipment

EOS 5D Mark III (shot #1, #2, #3, #4, #5, #6, #7 and #10)
Leica V-Lux Typ 114 (shot #8, #9, #11, #12, and #13) – EXIF equivalent to 35mm full-frame
EF 24-70mm f/4 L IS USM

EXIF

Given in captions

Editing

Adobe Lightroom Classic CC

From dynamism through zoom burst to adding the third dimension to your frame, this post takes you to the crux of photography.

The Story

A photographer friend of mine used to say often, ‘You can see a photographer’s mastery over his craft in a single shot. Ask him to shoot a white egg against a white wall!’. Humans view a scene using two eyes. And courtesy the parallax principle, this two-eyed vision gives them the sense of the third dimension – Depth. With no perception of depth, a photograph lacks appeal for the viewer.

An example of white on white with a perceivable third dimension - An arch leaning over a wall. - Adding the third dimension - Travelure ©
Shot #1: An example of white on white with a perceivable third dimension – An arch leaning over a wall.

The Challenge

A photograph is two-dimensional. It only has a width and height. How do we add the elusive third dimension to the photo with a single-eyed device – the camera? It is a challenge every photographer faces.

The Tools

Photographers have an armoury of tools to add depth to their images. Here are a few tools (and it is not a comprehensive list):

Leading lines

Establish close by and far away elements.

Leading lines provide depth here - Adding the third dimension - Travelure ©
Shot #2: Leading lines provide depth here. EXIF: ISO 100; Focal Length 17mm; Aperture f/4; Shutter Speed 1/640
Again, strong depth perception created by leading lines. - Adding the third dimension - Travelure ©
Shot #3: Again, strong depth perception created by leading lines. ISO 1000; Focal Length 17mm; Aperture f/4; Shutter Speed 1/160 – Adding the third dimension – Travelure ©

Perspective

Establishes respective distance and size perception.

Perspective provides depth. - Adding the third dimension - Travelure ©
Shot #4: Perspective provides depth. ISO 1250; Focal Length 35mm; Aperture f/4.5; Shutter Speed 1/6400
The reducing size of buildings and the oncoming train create depth perception. - Adding the third dimension - Travelure ©
Shot #5: The reducing size of buildings and the oncoming train create depth perception . ISO 200; Focal Length 24mm; Aperture f/5; Shutter Speed 1/2500 – Adding the third dimension – Travelure ©

Shooting through a frame or created frame

It is a powerful tool to establish near and far objects.

Through the arch. ISO 100; Focal Length 38mm; Aperture f/4; Shutter Speed 1/3200 - Adding the third dimension - Travelure ©
Shot #6: Through the arch. ISO 100; Focal Length 38mm; Aperture f/4; Shutter Speed 1/3200
Foreground beach umbrellas help create a frame. ISO 100;	Focal Length 17mm;	Aperture f/4;	Shutter Speed 1/1250 - Adding the third dimension - Travelure ©
Shot #7: Foreground beach umbrellas help create a frame. ISO 100; Focal Length 17mm; Aperture f/4; Shutter Speed 1/1250

Bokeh, blurring, or selective focus

It creates a distinct impression of foreground, mid-ground, and background.

Leaves in the foreground and background are blurred to establish the position of the butterfly.. ISO 800;	Focal Length 394mm;	Aperture f/11;	Shutter Speed 1/1600 - Adding the third dimension - Travelure ©
Shot #8: Leaves in the foreground and background are blurred to establish the position of the butterfly. ISO 800; Focal Length 394mm; Aperture f/11; Shutter Speed 1/1600
Foreground in focus. ISO 800;	Focal Length 40mm;	Aperture f/9;	Shutter Speed 1/20 - Adding the third dimension - Travelure ©
Shot #9: Foreground in focus. ISO 800; Focal Length 40mm; Aperture f/9; Shutter Speed 1/20

Using contrasting colours

It bring out the subject.

Blue turban against oranges and browns establishes depth. ISO 1600;	Focal Length 53mm;	Aperture f/4;	Shutter Speed 1/20 - Adding the third dimension - Travelure ©
Shot #10: Blue turban against oranges and browns establishes depth. ISO 1600; Focal Length 53mm; Aperture f/4; Shutter Speed 1/20 – Adding the third dimension – Travelure ©
Skin tone and strong yellows separate the dancer from the grey background. ISO 125;	Focal Length 128mm;	Aperture f/22;	Shutter Speed 1/60 - Adding the third dimension - Travelure ©
Shot #11: Skin tone and strong yellows separate the dancer from the grey background. ISO 125; Focal Length 128mm; Aperture f/22; Shutter Speed 1/60

Light and shade

It is the strongest tool and is the basis of photography. You can create a subtle or strong depth perception through this tool. In fact, this is the way to go if you want to shoot a white egg against a white background (See shot #1).

Light and shade make the sculpted figures come alive. ISO 125;	Focal Length 212mm;	Aperture f/12;	Shutter Speed 1/1250 - Adding the third dimension - Travelure ©
Shot #12: Light and shade make the sculpted figures come alive. ISO 125; Focal Length 212mm; Aperture f/12; Shutter Speed 1/1250
Each figure is well-defined thanks to the light and shade. ISO 125;	Focal Length 108mm;	Aperture f/12;	Shutter Speed 1/800 - Adding the third dimension - Travelure ©
Shot #13: Each figure is well-defined thanks to the light and shade. ISO 125; Focal Length 108mm; Aperture f/12; Shutter Speed 1/800

Here are the tools to create masterpieces. Help yourself become a Master!

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