THE MASTERCLASS SERIES
Cutting the Clutter for a Balanced Frame
Crowds clutter a frame. Not always, but often. When we shoot, our challenge is to keep the crowds out of the frame or ensure we balance the frame despite the crowds. With aesthetic sensibility and presence of mind, you can manage a good frame at most times. - Cutting the Clutter for a Balanced Frame - Travelure ©
THE MASTERCLASS SERIES
Black & White vs. Colour – How to Choose
We like our shots and feel they will look good in Black & White. But not every shot may stand out after conversion. The challenge is ascertaining which shot will look good in Black & White! And thereby choosing the right ones to convert. - Black & White vs. Colour - How to Choose - Travelure ©
THE MASTERCLASS SERIES
How to shoot back-lit stained glass
More often than not, the darkness within a church will force you to pump up the ISO on a wide-open aperture for capturing the details inside. And the back-lit stained glass will threaten over-exposure. This requires a precarious exposure balance. - How to shoot back-lit stained glass - Travelure ©
THE MASTERCLASS SERIES
How to Shoot Illuminated Buildings
After the recce, the window of my fourth-floor Novotel room and the widest lens I had, became the partners for this shot. To capture light trails, I mounted the camera on a tripod for a steady shot. And used a remote to eliminate any camera shake caused by pressing the trigger. - How to shoot illuminated buildings - Travelure ©
THE MASTERCLASS SERIES
Making a shot against the light
There are times during our travels we end up shooting against the light. Few such instances are a wrong-time-of-the-day visit to a landmark, music concerts, sunrises/sunsets, public functions or processions, etc. - Making a shot against the light - Travelure ©
THE MASTERCLASS SERIES
Shooting Flowing Water – At Dawn, Dusk, and Day
While many photographers may propagate the use of Half ND filter, I don’t use it as the horizon line is never straight, but is jagged. Also, it is preferable the horizon line is closer to the one-third level rather than at the exact middle of the frame. - Shooting Flowing Water - At Dawn, Dusk, and Day - Travelure ©
THE MASTERCLASS SERIES
Shooting Grand Ceilings – Cathedrals, Tombs, and Palaces
These ceilings pose a different challenge. The distance between the floor and ceiling is not large enough for normal lenses to capture the entire grand ceiling or the dome ceiling. Also, these structures are not well-lit. A camera shake blur could also be a concern. - Shooting Grand Ceilings - Cathedrals, Tombs, and Palaces - Travelure ©
THE MASTERCLASS SERIES
Adding mystique to glamour – Sydney show window
In Fashion Photography, mystique enhances the glamour. While props and sets can give a vanilla shot, the true embellishment comes from adding a dash of pizzazz by getting the viewer to do a double-take. - Adding mystique to glamour - Sydney show window - Travelure ©